Monday, July 18, 2011
Some Good Ol' Fashioned New York City Floor Plan Porn
LOCATION: New York City, NY
PRICE: $49,000,000
SIZE: 17,150 square feet, 15 bedrooms, 7.5 bathrooms
YOUR MAMAS NOTES: We are, perhaps, more than fashionably late to this particular real estate party so we ask that all you New York Times and New York Social Diary readers bear with Your Mama while we exercise our own thoughts about an immaculate and opulent New York City townhouse dropped on the market last weekend to great fanfare and media attention with a hefty asking price of $49,000,000.
Just after the turn of the century?we mean when the 1800s became the 1900s?a banker and railroad baron named Henry Cook built himself a right-proper robber-baron style townhouse directly on Fifth Avenue with a dignified Stanford White-designed limestone fa�ade and Central Park views. Of course, when the palatial pile was built, Fifth Avenue was a charming tree-lined idyll bustling with carriages and buggies. Today it's an impressive tree-lined urban-idyll with a near constant flow of honking yellow cabs and idling black town cars.
The New York Times labeled the house an Italian Renaissance Palazzo sort of thing, which is probably exactly what it is. The august-looking townhouse was completed in 1907 but, sadly, Mister Cook went to meet the big bidnessman in the sky in 1905 so never saw his real estate fantasy in its final and exquisite form. He lived, and died, in a house a few doors down that was eventually razed and replaced by a Horace Trumbauer-designed monument to the wealth and power of tobacco and power tycoon James B. Duke, daddy of the legendary heiress Doris.
The townhouse in question last changed hands, according to property records and previous reports, in 1977 when a man named Victor Shafferman acquired the exceptionally well-preserved mansion for just $600,000. That's right, kiddos, six hundred thousand dollars, less than the price of a good one bedroom apartment in today's New York City. You have to remember, pets, that in 1977 N.Y.C. was not the glittering temple of consumerist gentrification that it is today but rather a nitty-gritty city suffering desperately through a tight economic squeeze. Back then a person could pick up prime real estate in The Big Apple for what is now just pennies on the dollar. Sort of makes a person rue the day they nixed the purchase of a $100,000 classic-six co-op on Central Park West in 1978 that today would be worth more than enough to maintain a luxurious early retirement.
Mister Shafferman, who went to meet his maker in the fall of 2009, was a somewhat odd character about whom not a lot of details are known by many. According to the New York Social Diary, Mister Shafferman scooted about town in a chauffeur-driven burgundy and black Rolls Royce and frequently told people he was an heir to the CIBA-Geigy pharmaceutical fortune. He was not, apparently, an heir to that particular fortune. It was later revealed to those who run in that uptown crowd that Mister Shafferman was actually born in Palestine and educated at public school in Canada. It's not entirely known how he came to his financial station but he was, later in life, a real estate investor who owned a building or two and plainly had the dough-re-mi to bed down in a vast private house on one of the most desirable and expensive streets in the world. He was also, incidentally and according to a pal we'll call Patty Cake, a Friend of Dorothy with a long-time significant other 30 years or so his junior.
Together the refined and somewhat mysterious man-couple did up the day-core in a flamboyant splendor rare even for �ber-urbane New York City. It's not really possible for a rube like Your Mama to speak with any kind of education or knowledge about about the fine particulars of Mister Shafferman's sumptuous old-school day-core that's peppered with 18th-century marble-topped gilded consoles, hand-stenciled commodes of terrifying value, b�rgeres by the dozen, elegant hand-milled boiserie?no doubt some of it shipped over from some 17th-century French chateau, monumental plaster moldings and scads of antique chandeliers that we'd bet our long-bodied bitches Linda and Beverly each cost more than Your Mama earns in a year.
The townhouse, one of precious few remaining single family homes situated directly on Fifth Avenue, sits near the busy corner of East 79th Street sandwiched between the Ukranian Institute housed in the majestic Charles P.H. Gilbert-designed Fletcher-Sinclair mansion and the French Consulate, designed by Stanford White for American scion Payne Whitney.
Mister Shafferman's mansion stands six stories above ground and, according to earlier discussions, retains the original bifurcated layout defined by a baronial and mesmerizing floating elliptical staircase at the center of the house. The gracious haute-glam staircase, lined with leaded glass windows and carpeted in a plush, near lurid red winds with a taut sensuality from the ground floor all the way to the fifth floor. An elevator, able to lift and lower the infirm, lazy and/or glutially weak from the basement to the sixth floor, is discretely tucked into the hallway(s) off the stair landing(s) .
At about 25-feet wide and with seven full floors of living space plus a partial sub-basement with wine cellar, the mouth-watering mansion measures in at a titanic 13,775 square feet above ground with an additional 3,375 below street level. Wooden doors with lion head knockers open into a street level vestibule that in turn give way to into a hardcore impress-the-guests-style foyer that features the first of the mansion's many fireplaces; We counted nine fireplaces on the floor plan. Just beyond the foyer, the aforementioned high-drama stair hall, and beyond that a living room with fireplace. One flight up on the parlor level, a generous room-sized stair landing and barrel vaulted corridor separates the formal dining room at the rear of the house?with fireplace, natch?with an elegant if somewhat turgid mint-colored paneled drawing room with marble fireplace surround, gilded ceiling and moldings and towering windows that reach almost to floor and allow an over the tree tops view of Central Park
A small kitchen?blessed with a generous pantry uniquely located on a mezzanine level directly above?is wedged into a tight cranny behind the staircase, elevator and staff staircase. Yes, puppies, this house has a separate staircase for the staff so the filthy rich residents and their pampered guests won't have their eyes sullied by the paid help as they huff and puff up and down the architecturally righteous main staircase with armloads of a linens and terlit cleaning supplies. Floor plans show a second, larger kitchen in the basement, but it does not, unfortunately, show a dumb waiter that would connect the two kitchens and provide a direct link between the kitchen in the basement and the formal dining room two long flights up.
The more intimate and casual?if still a wee bit fussy?third floor library has paneled walls, wood-beamed ceiling and carved stone fireplace surround with what appears to be a hulking faux-stone chimney breast. Two over-sized windows offer park views and built-in bookcases filled with actual books, the sort of books that look like someone might actually have read them. Call Your Mama old fashioned?and goodness knows we've been called things far more vulgar?but we far prefer the warmth of books displayed this way, in their "natural" state, as opposed all covered the same colored paper jacket as done by so many of today's most popular decorators, i.e. Mary McDonald of Million Dollar Decorator. Far be it from Your Mama to knock a decorative trend promoted by many top designers but we think covering books in the same color paper jacket is little more than a cheap trick that sucks the soul from the books and downgrades them to decorative props.
A quick pass over the floor plan included with the property's marketing materials shows the monumental mansion contains a total of 15 bedrooms and 7.5 bathrooms. There are four principal bedrooms divvied up nicely for privacy on the third through the fifth floors. Each of the four main bedrooms has its own dressing room and private facility. The two largest bedroom suites?one on the third floor and another on the fourth?are connected via a secret spiral stair. When this house was built it was not uncommon for the Mister and Missus of the house to maintain separate boo-dwars. This clandestine spiral staircase, let's just call it a "nookie stair," made it possible for the homeowners to make booty calls without the live-in staff?who see everything and we mean every-damn-thing that goes on in a house?catching wind of their activities.
A children's suite at the back of the fifth floor contains three smaller bedrooms that share a single bathroom. The rabbit warren-like sixth floor?the staff quarters?encompasses 8 small bedrooms that share just two bathrooms. There's also a kitchenette and several walk-in closets for storing out of season uniforms. There is not, however, a communal lounge where the staff can all get together and gripe and gossip about their wealthy employers. Any of you people with live-in staff who thick they don't whisper about you behind your back are just being foolish. Of course they do.
Anyhoo, no doubt there's a short parade of high-toned, well-shod and financially-qualified buyers?some of them, no doubt, just filthy rich looky-loos?who are lined up to tour the Cook-Shafferman house. At the rate things have been going in the increasingly brisk extreme high-end of the real estate market, Your Mama would not be the least bit surprised if the listing agent called in all offers next week due to the significant and intense interest. We shall see, butter beans, we shall see.
listing photos and floor plan: Brown Harris Stevens
Rebecca Black My Moment Music Video Debuts July 18
“My Moment” will debut on Rebecca Black Youtube channel and her official website, RebeccaBlackOnline.com starting at 8:00 p.m. on July 18, Monday.
And on Tuesday, July 19, the song will be available for purchase on iTunes and other online retailers.
The music video shows footage of the singer receiving an award at her junior high school and attending red carpet premieres to “tell the story of her sudden rise to fame”.
The song is written by Brandon "Blue" Hamilton and Quinton Tolbert and produced by Charlton Pettus.
My moment to kick your ass out of the car.
This is my moment nigga. My moment! Mo-mo-moment.
I can't believe I have done this. I can't believe how far I came. How much I had to struggle.. I fought myself in court. So I could get attention. And I won and I won and I won, and I won't back down.
This is my moment. My moment to shine like a star.
My moment to kick your ass out of the car.
This is my moment nigga. My moment! Mo-mo-moment.
Bitch get back. I wanna do it my way-way-way-wa-wa-ahhyy. So we so excited mothafuka. I gets my shit done! Done! Done! Because this is my fucking moment. I've lived my life, appearing a a slutty girl - girl - girl.
This is my moment. My moment to shine like a star.
My moment to kick your ass out of the car.
This is my moment nigga. My moment! Mo-mo-moment.
I was molested when I was young-young-young. By my mom mom mom. Now it's my turn to fight back- smack back- smoke some crack. I am Black Black Black. Rebecca Black Black Black. My voice sounds squeaky and deformed. But it my moment!!!!!
This is my moment. My moment to shine like a star.
My moment to kick your ass out of the car.
This is my moment nigga. My moment! Mo-mo-moment.
Yo bitch. Rebecca is may homie. We get shit done like dobies, I mean doobies. She let's me touch those boobies. Man they gross.
This is my moment. My moment to shine like a star.
My moment to kick your ass out of the car.
This is my moment nigga. My moment! Mo-mo-moment.
This is my moment. I'll end up in rehab, getting pregnant-all that. But I won't-shave my head. Because in not for that. So yeah, I think I made this quite clear. (annoying boasting) I'm a bitch. And I love black men! Man I'm good! Damn, I should remix this shit! HERE WE GO NIGGAS!!!
This is my moment. My moment to shine like a star.
My moment to kick your ass out of the car.
This is my moment nigga. My moment! Mo-mo-moment.
Mo
Mo
Ment
Mo
Ment
Mo
Mo....
Tosca; La rondine; Arensky Chamber Orchestra ? review
Royal Opera House; Holland Park; Cadogan Hall, London
In a top performance of Tosca, Puccini's black thriller which reeks of religiosity and has an ever-shattering score, the earth can move in several ways. With a cast led by three of the greatest singers in the world ? Jonas Kaufmann, Bryn Terfel and, in the title role, Angela Gheorghiu ? the stampede of applause alone makes the floorboards tremble. It's hard to stay cool in the face of such adoration, and why would you want to?
This was the case in the Royal Opera's end-of-season stellar revival of Jonathan Kent's workable, handsome but stolid production, new in 2006. The curtain call was a delicious mini psychodrama, with Kaufmann, the artist-hero Cavaradossi, taking a simple bow as the audience roared, Terfel equally restrained, provoking a perhaps even more thunderous burst of foot stamping and cheers.
Gheorghiu alone took the opportunity to do a few cheerleader-type waves and "What, me?" pirouettes while the rest of the cast waited benignly. Laying her vast bouquets down at the front of the stage, she went and fetched the conductor, ROH music director Antonio Pappano, at which point the eruption became deafening. For some of us, our applause was for the Royal Opera Orchestra too, who had played superbly and who collectively sustain a phenomenal standard all year.
You may grow weary of an umpteenth revival ? though in Tosca terms this production is barely toddling; the Royal Opera's last, by Zeffirelli, endured 40 years. Yet this radical score, with its famed displays of supreme lyricism ("E Lucevan le Stelle" and "Vissi d'arte"), always catches you in some raw, unexpected way. One such moment was when the lecherous Scarpia, standing in Rome's great Sant'Andrea della Valle with mass under way, curses Tosca for "making me forget God", before fearfully, or cynically, joining in the final words of the Te Deum.
Terfel, in every sense a towering and mesmerising presence, gave that sordid show of piety even greater force than usual. He calibrates his anger, vocally and physically, with chilling precision, from political aggression to power-lust to sexual frustration. It's hard to imagine a more lascivious or devious Scarpia. Terfel reveals the tortured, self-loathing complexity of this evil character, too often done merely as a monster.
The other astonishing showstopper was in Act II, when Cavaradossi realises he has been betrayed. The score careers crazily, rapid chromaticisms forcing the music asunder while the trombones bulldoze through with plunging chords, all a prelude to the hero's climactic cry of "victory!". Kaufmann, sensitive to every dynamic marking and nuance, held his top B flat (A sharp in the score) with a vigour which, unimaginably and against nature, grew louder and louder ? and yet retained its ringing splendour.
In comparison, Gheorghiu was, well, just Gheorghiu: she has such natural vocal ease that it must seem to her enough just to be there, and it's true, she can still outdo most of her rivals. Stiffened by a starchy, frosted-white gown and peaked tiara, she has a doll-like, milk-toned rigidity, her chilly passion kept under lock and key.
That said, her encounters with Cavaradossi had a discernible chemistry, and her bloodcurdling outburst at the realisation that he is dead, not merely pretending, reminded us why this Romanian diva draws the crowds. You can see this performance at cinemas in the autumn. And book now for Kaufmann, snaffled by Raymond Gubbay for a Royal Festival Hall recital on 24 October ? oddly described as a "London debut". Perhaps I was seeing things.
The lustrous pairing of Kaufmann and Gheorghiu first attracted attention at Covent Garden in Puccini's semi-operetta La rondine back in 2004. You wanted to shout "Don't do it, Angela!" when she cast the irresistible Kaufmann, then still a relative newcomer, all doe-eyed and kiss-curls, into lovesick oblivion as the curtain fell. Gheorghiu had already performed and recorded the work with Pappano and her husband, the tenor Roberto Alagna ? also now in oblivion, at least in that respect.
Their combined advocacy brought one of Puccini's least performed works back into the repertoire. Now Opera Holland Park has mounted a welcome art nouveau staging, with Renoir and Manet peeping round every corner in Peter Rice's inspired designs. The opening act, a conversation piece, always tends to outstay its welcome, and Peter Selwyn, conducting, might have helped the fine cast and orchestra by quickening the tempi. But Act II bursts into life and from then on, in Tom Hawkes's spirited and alluring staging, it beguiles wholeheartedly.
One of the puzzles about La rondine is how Puccini could embark on such a saccharine story just as Europe, in the summer of 1914, was collapsing into war. It certainly delayed the work's composition, leaving him "absolutely stupefied". On its completion he described it in words that might have been applied to Richard Strauss's Der Rosenkavalier, premiered three years earlier: "A light, sentimental opera with touches of comedy ? but it's agreeable, limpid, easy to sing, with little waltz music and lively and fetching tunes? it's a sort of reaction against the repulsive music of today."
The plot has a touching melancholy. Magda, a kept woman with a past, finds true love with a younger man, Ruggero, sung with promising ardour by Se�n Ruane. Simultaneously, in a somewhat heavy-handed comic subplot, her maid climbs the social ladder by going off with a poet (Hal Cazalet). Hye-Youn Lee's Lisette scurried pertly, her sweet, clear soprano full of character and a good complement to the warmth and wistfulness of Kate Ladner's Magda ? the swallow of the title, who flies from true love for guilty memory. This is vintage Opera Holland Park, with Rigoletto and La Wally still to come.
Puccini didn't specify which particular works he considered repulsive. Was he thinking of the freshly scandalous Rite of Spring or the kind of popular ragtime songs he heard in America with titles such as "Fat Li'l Feller Wid His Mammy's Eyes"? Unexpectedly he had a respectful admiration for Schoenberg, whose earliest masterpiece, Verkl�rte Nacht (Transfigured Night, 1899), dates from the same time as Tosca and has a similarly mawkish story behind it, considered obscene at the time: two lovers are torn apart by the realisation that she is expecting a child by another man.
The Arensky Chamber Orchestra, one of several burgeoning young ensembles trying to revitalise concert life, devoted an entire evening to Verkl�rte Nacht, performing it, in collaboration with the Royal College of Art, variously as a sextet, with readings of the poem (by Richard Dehmel) on which it is based, and with a film of two dancers. The evening concluded, in high style, with the voluptuous string orchestra version, arranged by the composer in 1917. Violinist Stephanie Gonley added valuable experience as guest leader, and these well-drilled emerging young players performed expressively.
The atmosphere was informal and informative. I wasn't altogether sure about having the audience wandering around the stage in the opening sextet performance. It was hard not to follow the intriguing perambulations of the man in red trousers, or a child doing demi-pli�s rather nicely. In the end I shut my eyes and the vivid music provoked a fine DVD version in the head. If that was the aim, it worked.
Source: http://www.guardian.co.uk/music/2011/jul/17/tosca-gheorghiu-kaufmann-terfel-rondine
World's Sexiest and Most Beautiful Woman Angelina Jolie Unseen Collection
Angelina Jolie Wallpaper
Angelina Jolie Wallpaper
Angelina Jolie Wallpaper
Angelina Jolie Wallpaper
Angelina Jolie Wallpaper
Angelina Jolie Wallpaper
Angelina Jolie Wallpaper
Air hostess Kerry Meades reveals Air hostess She Slept With Ashley Cole A Week Before Cheryl's Bday ...
“Yes he did decide to ask Cheryl to marry him again, it’s true,” a source told the PEOPLE.
The alleged fling took place in LA back in June. Like all classic tales.
“Ashley had this light saber glowstick that he kept tapping me on the back with. He whacked me on the bottom with it and I started laughing. My hair was tied back and he pulled it in a playful way. He said, ‘You look really fine tonight.’ Then he said, ‘Your a*** looks really fine tonight’.”
Sunday, July 17, 2011
Jericho Rosales and Heart Evangelista Secretly Seeing Each Other?
Their communication, allegedly, started while Echo was in the United States for the premiere of his first international film 'Subject: I Love You' at the Newport Beach Film Festival.
But Echo vehemently denied the rumor.
“Secret daw siya? No, it’s not true. The right word or the right term para du’n, kumbaga hindi talaga ‘yun. Hindi naman namin ginagawa ‘yung gano’n. May common friends kasi kami so once in a while we get to say hi and that’s all pero bihira lang yun. There shouldn’t be an issue because for me, wala naman akong masamang intention. I’d like to emphasize on that na wala akong masamang intention and Heart’s always going to be special in my heart, that’s all. Wala akong gustong gawin na masama. Ayoko makasakit ng tao. Whatever it is na pinagdaanan namin, na pinagdaanan ko before, tapos na yun and I’m trying to move on na sa buhay ko kumabaga madami nang bagong chapters sa life ko ngayon,” he explained.
However, Echo said he’s very much willing to work on a project with Heart if given the opportunity.
“I don’t mind. Okay ako dun. I think exciting yun. Not for anything, but for me, I’m excited. Kasi yung last project namin together ang tagal na,” he said.
Nick Lachey and Vanessa Minnillo Wedding Details
The couple announced their engagement in November last year and although it was known they would be tying the knot soon, they kept the actual date quiet. The pair even neglected to tell their 35 guests, who they flew to a secret location on tropical island Necker.
“For us, this is just a stepping stone to do what we ultimately want and that’s to start a family together,” Vanessa said.
“Nobody knew where they were going.”
The pair said they vows on top of a cliff, it what was a romantic setting. They had arrived on the idyllic island on Tuesday.
Vanessa, 30, opted for a Monique Lhuillier wedding gown which was in two parts. The top was a corset covered in rose and crystal embellishments, while the skirt was made of silk faille. The two pieces were drawn together with a belt in the shape of a box.
Nick, 37, opted for a suit by Dolce & Gabbana, and was as thrilled as his new wife that they’d managed to surprise their guests.
“Our wedding invitations were in the form of a plane ticket. We told them they were going away and the attire was ‘island chic’. It was all very vague,” he laughed.
The nuptials will be shown on a television special called Nick & Vanessa's Dream Wedding.
This is Vanessa’s first marriage, while Nick previously wed Jessica Simpson.
© Cover Media
Rica Peralejo-Bonifacio Made an Acting Comeback via "100 Days to Heaven"
But Rica still stay connected with her fans through ABS-CBN's early morning magazine show "Umagang Kay Ganda" where she is one of the hosts.
Now, after a long semi-hiatus in showbiz, Rica is back in the acting scene when she accepted to play the role of Rachelle in ABS-CBn primetime TV series "100 Days to Heaven."
Watch the teaser below:
Maroon 5 Say Mick Endorses 'Moves Like Jagger' Video
Jonas Åkerlund directs clip, which pays tribute to Rolling Stones frontman's many eras.
By James Montgomery, with reporting by Kara Warner
Adam Levine
Photo: Christopher Polk/Getty Images
Maroon 5's Adam Levine has already made a compelling argument for why his band's new single, "Moves Like Jagger," deserves to be your pick for the Summer Jam of 2011: Basically, unless you want to have the worst beach trip ever, you will add the song to your playlist.
But now, with the new "Jagger" video, Levine's making an equally compelling argument for why the Rolling Stones frontman deserves to be a part of your summer, too — mainly because he's pretty much the coolest guy ever.
"We were lucky enough to get Mick's endorsement [for the video], as far as him giving us access to a bunch of different footage that's so cool," Levine explained. "Not many people have seen [it], especially a newer generation of people that don't know so much about how incredible he was."
Maroon 5 teamed with director Jonas Åkerlund — who's helmed clips for everyone from Lady Gaga and Britney Spears to the Prodigy and Blink-182 — for the "Jagger" video, which allowed the band to focus its attention on replicating the icon's moves.
"It's kind of a hodgepodge of many different ideas that we wanted to do, and Jonas Åkerlund is at the helm of this whole thing, and he's so talented and we love working with him, and this is going to be another great video, I think," Levine said. "We trust him so much that we can kind of take ourselves out of it a little more and just be like, 'He's Jonas, so he'll do his thing.' "
Related ArtistsGMA News Programs Lead Mega Manila and Urban Luzon TV Ratings
Mega Manila and Total Urban Luzon household audience shares from June 1 to 30, 2011 show GMA-7′s newscasts besting competing programs from other stations.
The Kapuso Network’s flagship primetime newscast 24 Oras, which recently won the Bronze Award in the News or News Feature category at the 32nd Telly Awards in New York City, USA, was the clear winner in Mega Manila with 37.5 share points compared to TV Patrol, which only managed 32.9.
In Luzon - which makes up 77 percent of total television households nationwide - 24 Oras’ 36.7 share points again outclassed TV Patrol’s 33.6.
Saksi, which also won the Bronze Award in the same category at the recent Telly Awards, dominated ABS-CBN’s Showbiz News Ngayon (SNN) and TV5′s Aksyon Journalismo in Mega Manila with 32.8, 29.2 and 13.6 share points respectively.
The Kapuso Network’s late night newscast led by 3.6 points against SNN and 19.2 points against Aksyon Journalismo. Luzon ratings figures also show Saksi, with 32.8, topping SNN’s 29.4 and Aksyon Journalismo’s 13.2.
On Saturdays and Sundays, 24 Oras Weekend continued GMA News’ dominance–posting 32.3 share points in Mega Manila as against ABS-CBN’s TV Patrol Weekend’s 23.5. 24 Oras Weekend also led in Luzon with 31.9 compared to TV Patrol Weekend’s 24.9.
Bannered by the most credible names in local broadcasting today: Mike Enriquez and Mel Tiangco for 24 Oras; Arnold Clavio and Vicky Morales for Saksi; Jiggy Manicad and Pia Arcangel for 24 Oras Weekend - and powered by a formidable news team that has won international honors, including the only Peabody Awards won by a Philippine broadcast news organization, GMA-7′s News and Public Affairs organization continue to work tirelessly to earn the trust of the viewers.
Several days leading to Pres. Noynoy Aquino‘s State of the Nation Address, the Kapuso Network’s newscasts will air segments called “Mga Pangako ni Pnoy,” a progress report on the six supposed priority areas in PNoy’s administration. And on July 25, GMA-7 will mount a comprehensive, multi-platform coverage of the State of the Nation Address.